These
reflections might not all be perfectly lucid or sound; they are just
reflections. No cohesive or systematic program of thought went into any of this,
just a flow of thought about logical possibilities. Later, when I am able to devote more of my time explicitly to texts and research, I will hopefully provide much more in-depth thought on these subjects, and more. Critical
commentary welcome below.
Note: What follows applies principally to the forms of sensible things. Beings such as angels are a discussion of their own.
Form, in Plato, is the intelligible identity and the reality of a things.
A thing is not its form; but its reality, its actuality, its whatness, is indeed its form. A thing is distinct from that which makes it what it is;
it is distinct from its whatness. Its whatness, its form, is thus
distinct from itself; it
is separate. Is it a
mistake to interpret Plato's theory of forms as a theory of “two
worlds”? Must the separation
of form imply a distinct “world” of intelligibles parallel to
the world of sensibles? Or does separation mean anything more than
the distinction between
a thing and its essence? In sensible things, even St. Thomas admits
this distinction, without feeling the need to hypostasize
the essence or form of a thing. This is St. Thomas' (and Aristotle's
before him) critique of Plato, that the forms seem to acquire the
status of individual hypostases. Perhaps this is
an easy mistake to make, in interpreting Plato. We note, further,
that Thomas himself had very little direct experience of Plato's
texts. Perhaps, however, if he himself had read the dialogues of Plato, he
might have approved of Plato's intuitive grasp of the distinction
between things and their forms or essences; he might also
have very much approved of Plato's insistence that this form or
essence constitutes the very reality
of the thing itself, more so than its matter constitutes this reality
– and more, perhaps, than the composite
itself of form and
matter?
This
last thing remains to be settled in my mind: Which is more
real:
form, or the composite
of form and matter? In an absolute
sense, to be sure, the mode in which anything exists as purely
formal, that is, as Pure Act, is
more real than the mode in which it exists as composite; i.e. its
existence in the mind of God
is, simpliciter, more
real than its existence in itself as composite. (This is not to
exclude other senses, secundum quid, in
which the composite existence is more real; but that is for another
discussion.) The doctrine of the divine ideas is St. Thomas'
appropriation of the Platonic theory of forms. The divine ideas are
the formal exemplars of things, as they are conceived in the divine
intellect. Their existence in the divine intellect is the absolute
condition of their existence and intelligibility as composite beings,
the condition of their entire being – in themselves and in the
intellects of non-divine beings. They exist as composites of form and
matter – or in the case of immaterial substances such as angels, of
essence and existence (either way, composites of act and potency) –
only because they exist in the first place as purely formal, or
purely actual, in the mind of God. The Platonic doctrine of form is
really based on an intuition of the absolute priority of actuality,
which is a priority admitted by both Aristotle and Thomas. This
absolute priority of actuality is the condition for all posterior
modes of existence – and modes of intelligibility.
Therefore,
Plato asserts that the reality of things, namely their form or
essence, is something divine. It is, in a sense, other-worldly –
not to literally posit a “two-world” theory of forms, but rather
drawing attention to the transcendence
of form that is, at the same time, immanent
in things. For anything to be real is for it to participate in
something transcendent and divine, something more than the mere
composition of form and matter that makes it to be “this thing.”
To attend to the most real reality
of a thing, one would do better to attend not merely to what
constitutes it as this
or that individual
thing, but to what constitutes it as this kind
of thing; and even better, one would attend to the relation which it
bears, not merely to the principles of its own inner constitution,
but to the divine reality
which is its exemplar. There is here a process of ascent: first one
perceives the thing in its own individuality, its existence as a
composite, a “this” or a “that.” Second, one abstracts from
the phantasm of this object its intelligible form,
by means of the agent intellect, thereby distinguishing it in kind
from all other kinds. Thirdly,
one rises even from this form, the intelligible species, to the
divine species of which it is but a participation and a reflection.
In this threefold process, one ultimately knows God, in whom things
exist in the most real way, absolutely and unconditionally, through
the limited and conditioned
existences of things which one encounters in the world of perception.
One discovers the divinity of pure form, pure actuality, which is
itself the very reality and condition of all composite things, as
well as of the understanding of such things.
But
the composition of form and matter – or existence and essence, or
any act and potency – is not the composition of God with things.
For God does not enter into composition; He is not the actuality of
any composite. St. Thomas perceived another danger in the Platonic
account as he understood it, namely that it entailed a certain
pantheism. But could not one avoid this, while maintaining the
essential elements of the theory of forms? St. Thomas himself admits
of many modes of existence, even
of a single thing. As a composite being, it exists in a state of
actuality, but an actuality which is the act of some potency (hence
its composition). Or it may exist in a state of potency in the
unformed matter of which it is partly composed, along with form; it
is form which bestows actuality upon this matter, thereby bringing
about its actual composite existence. But there is also a mode of
existence which is actual – not the act of any potency, but purely
actual and uncomposed. This is the mode of existence which belongs to
God. In this mode, all beings exist as ideas in the divine intellect.
This is a purely formal mode of existence. In the coming to be of a
composite mode of existence, God, or God's idea, does not enter into
composition with matter, but He impresses His idea upon matter as a
seal upon wax, such that the form received by the wax is an image of
the divine idea itself. The potential existence of that being in
matter is actualized by the reception of a form from the stamp of a
divine idea. There is almost some truth to the claim that the form
in the wax is the form
of the seal; it is at least its image. Indeed, one would say that the
pattern of the seal is the same pattern received in the wax. One does
not distinguish the pattern of a patterned thing – in the
patterned thing – from the pattern “itself by itself,” even if
the seal is a separate entity from the formed wax. There is neither a
straightforward sameness nor a straightforward separation from the
two things, but a relationship of image to the paradigm; and the
paradigm is both transcendent and immanent to its images.
Form,
then, comes to refer to both
the paradigm and the image of the paradigm which inheres in the
composite being(s), not by a mere equivocation, but by a real
analogy. The richness, and perhaps the very ambiguity, of Plato's
doctrine of form lies in the simultaneous (and perhaps confused?)
awareness of the analogy of paradigm and image. It is an awareness
which, though perhaps confused, is quite necessary to the
philosopher: that there is a Unity responsible for the commonality of
many. The philosopher knows by abstraction a commonality amidst
multiplicity, a form or a species of many composite individuals. It
is a common pattern which they all follow, a nature which gives them
their very reality. It strikes the eye of his mind with such a force
that it almost seems more real than they, for it is their very
meaning – it is
their reality. The more he is aware of it, the more mysterious does
it seem, the more intensive is its being, the more powerful is its
influence; it seems something divine. At this point the attention of
the mind is less to the things of his experience than to the unity of
form that makes them what they are. Certainly, things in his
experience have led him on this voyage of discovery, but what he has
discovered is not them, but a reality that transcends them. He is
here witnessing the very impression of the divine seal upon things,
the relationship of image to paradigm. By attending ever so closely
to the meaning and mystery of things, it is as if he has been sucked
in to the mystery to gaze upon the startling, blinding light that
casts all images. Form, as the image of a paradigm, is the portal
through which the paradigm itself may be glimpsed; and the whole
symphony of earthly forms together, a magnificent symbol by which the
terrifying Unity of all Form is simultaneously concealed and
revealed. Through form-as-image, we know the God who is pure
form-as-paradigm, who is present in all and absolutely beyond all
things.
These
reflections have not been systematic. They have just been a train of
thought. The hope is to arrive at a conception of form that unifies,
or harmonizes, the Platonic and Aristotelian conceptions. Plato's
conception of form need not be a hypostasized version of form, such
that each among the multitude of forms acquires its own individuality; though he rightly emphasizes the separateness and
distinction between form and the formed: the one a unity and the
other a multiplicity of composite individuals. Form is accordingly
something transcendent,
because it is a paradigm distinct from all its instances; it is also
something immanent
because it is a paradigm that is realized – in only a participated
fashion – in all its
instances. (What I mean by “a participated fashion” I hope to
explain in a later post.) Whereas Plato emphasizes the transcendence
of form, though by no means prescinding from its immanence, Aristotle
explicitly emphasizes its immanence, and the necessity of attending
to the particular in
order to gain true knowledge. After all, abstraction is only from
particulars; knowledge begins from sensation. Form is encountered first in composition, individuated by matter. The grasping of
intelligible form begins with sensible form, but is itself ordered to
the contemplation of subsistent Being Itself.