My Alma Mater: Thomas Aquinas College, in Santa Paula, California |
Where I'm headed. |
Aside from these subjects, which I hope to pursue specifically during my time in graduate school, I have a growing scope of other interests as well, in both philosophy and theology, and liberal education in general. One goal that in many ways summarizes the entirety of my intellectual aspirations is the desire to grasp the whole of life and being: the great interconnection of all the parts of human life, the life of the whole cosmos, the many academic disciplines, the practical and fine arts, the moral virtues, and religion; the organic harmony and hierarchy of everything in its final ordering towards God. Everything is connected; all the multiplicity of existing things can be unified under the single aspect of their procession and return to the divine First Principle.
Consequently, I have other interests that are not directly academic, but which I think are very relevant to the intellectual life, and which I hope to ennoble by my intellectual concerns. I am, and have been for many years, an active classical musician. I play the piano, the organ, and several other instruments, and I have a passion for the musical traditions of the Church's sacred liturgy, especially the Gregorian Plainchant of the Roman Rite. Music is one of those avenues of contemplation which has a more evident bearing on the human experience as a whole. Music is a universal expression of human feeling and desire, a complex symbol of the harmonies and disharmonies of the human soul, and a reflection of the motion of the cosmos. I find both listening to and creating good and beautiful music to be a soul-forming, or at least soul-resting, experience. When I sit at the piano and sight-read the fugues of Bach for an hour or two, or pour out my soul in Romantic improvisations, or simply listen to a Rachmaninov concerto, it is almost like a kind of alchemy of sound; and along with the development of sound there is a corresponding movement of the soul into metaphysical realms beyond the expression of words.
Along similar lines, I have a few aspirations of recent origin that have not yet become incorporated into the practice of my life - aspirations that are not yet hobbies. Part of the dream for my life is to embed my intellect in context, so that not only is it nourished by healthy activity - whether of moral or artistic nature - but all activity itself is ennobled and ordered by right vision. What I pursue interiorly by my mind I hope to express exteriorly in a healthy diversity of activity, just as the it is only through the Logos that all things were made. In the realm of fine arts, besides music, I am something of an aspiring poet, though the muse is with me only rarely. I hope to write a novel someday too. In the practical or useful arts, I am a strong believer in the possibility of contemplation even in those arts, which can be made "finer" by a real concern for beauty even in utility. Of such activities, the agricultural arts bear a special importance, though I have not yet made it an immediate goal to practice them now (for reasons of circumstance). As a man, I hope to realize, in some degree, the human vocation of steward or priest of the earth: to tend to God's creatures and bring to fruition their inner spark of divinity, by which they glorify God through my knowledge of Him in them. Related to the agricultural arts are the culinary arts, in which I am in no degree proficient, but in which I have only recently begun to perceive the depth of meaning. So much of culture and even religion pertains to the mystery of food, its origin in the earth, and its preparation, that it seems almost worthwhile in itself to practice. In short, I have begun to realize the importance of the practical arts - and in this way they are not unlike even the fine arts - as a way of bringing into full actuality the inherent meaning of nature, its ordination to the good and true. The most practical activity is good insofar as it has this contemplative end; contemplation frees even the smallest things from superficiality.
Above, I gave a summary of all my interests that was something abstract - to see the unification and interconnection of all things under their common First Principle, from which they proceed and to which they return. Almost the concrete form of this summary of interests is the sacred liturgy of the Catholic religion itself. The liturgy is preeminently contemplative, and preeminently practical, and maintains the order between these two spheres in wonderful harmony by the sacred practice of ritual. All knowledge and all art seem to culminate in the liturgy itself, which is the pinnacle of contemplation and the summit of activity. The paradigm and archetype of how the Logos influences all spheres of life is the sacred liturgy, in which the Logos Who became flesh becomes something like flesh once again, in the sacred symbols of Christian theurgy, especially the sacraments and the Eucharist. Indeed, I can very honestly say that so many of my interests, academic and otherwise, would not have been, were it not for the treasures that I have still only begun to discover in the liturgy. It was, in a large way, the liturgy which brought all things under one ratio in my mind, namely God and His communication of Himself unto His creatures. Consequently, the liturgy will almost inevitably be central to all the work in philosophy, theology, and simply life itself, which I hope to achieve and make some sort of record of here on this blog.
Consequently, I have other interests that are not directly academic, but which I think are very relevant to the intellectual life, and which I hope to ennoble by my intellectual concerns. I am, and have been for many years, an active classical musician. I play the piano, the organ, and several other instruments, and I have a passion for the musical traditions of the Church's sacred liturgy, especially the Gregorian Plainchant of the Roman Rite. Music is one of those avenues of contemplation which has a more evident bearing on the human experience as a whole. Music is a universal expression of human feeling and desire, a complex symbol of the harmonies and disharmonies of the human soul, and a reflection of the motion of the cosmos. I find both listening to and creating good and beautiful music to be a soul-forming, or at least soul-resting, experience. When I sit at the piano and sight-read the fugues of Bach for an hour or two, or pour out my soul in Romantic improvisations, or simply listen to a Rachmaninov concerto, it is almost like a kind of alchemy of sound; and along with the development of sound there is a corresponding movement of the soul into metaphysical realms beyond the expression of words.
Along similar lines, I have a few aspirations of recent origin that have not yet become incorporated into the practice of my life - aspirations that are not yet hobbies. Part of the dream for my life is to embed my intellect in context, so that not only is it nourished by healthy activity - whether of moral or artistic nature - but all activity itself is ennobled and ordered by right vision. What I pursue interiorly by my mind I hope to express exteriorly in a healthy diversity of activity, just as the it is only through the Logos that all things were made. In the realm of fine arts, besides music, I am something of an aspiring poet, though the muse is with me only rarely. I hope to write a novel someday too. In the practical or useful arts, I am a strong believer in the possibility of contemplation even in those arts, which can be made "finer" by a real concern for beauty even in utility. Of such activities, the agricultural arts bear a special importance, though I have not yet made it an immediate goal to practice them now (for reasons of circumstance). As a man, I hope to realize, in some degree, the human vocation of steward or priest of the earth: to tend to God's creatures and bring to fruition their inner spark of divinity, by which they glorify God through my knowledge of Him in them. Related to the agricultural arts are the culinary arts, in which I am in no degree proficient, but in which I have only recently begun to perceive the depth of meaning. So much of culture and even religion pertains to the mystery of food, its origin in the earth, and its preparation, that it seems almost worthwhile in itself to practice. In short, I have begun to realize the importance of the practical arts - and in this way they are not unlike even the fine arts - as a way of bringing into full actuality the inherent meaning of nature, its ordination to the good and true. The most practical activity is good insofar as it has this contemplative end; contemplation frees even the smallest things from superficiality.
Above, I gave a summary of all my interests that was something abstract - to see the unification and interconnection of all things under their common First Principle, from which they proceed and to which they return. Almost the concrete form of this summary of interests is the sacred liturgy of the Catholic religion itself. The liturgy is preeminently contemplative, and preeminently practical, and maintains the order between these two spheres in wonderful harmony by the sacred practice of ritual. All knowledge and all art seem to culminate in the liturgy itself, which is the pinnacle of contemplation and the summit of activity. The paradigm and archetype of how the Logos influences all spheres of life is the sacred liturgy, in which the Logos Who became flesh becomes something like flesh once again, in the sacred symbols of Christian theurgy, especially the sacraments and the Eucharist. Indeed, I can very honestly say that so many of my interests, academic and otherwise, would not have been, were it not for the treasures that I have still only begun to discover in the liturgy. It was, in a large way, the liturgy which brought all things under one ratio in my mind, namely God and His communication of Himself unto His creatures. Consequently, the liturgy will almost inevitably be central to all the work in philosophy, theology, and simply life itself, which I hope to achieve and make some sort of record of here on this blog.
This blog will likely be a record that is sometimes academic and rather impersonal, and sometimes testimonial and quite personal. I firmly believe that the intellectual life, as abstract and speculative as it is, is really quite inseparable from human experience and the concrete. Real learning cannot be divorced from real and substantial personal growth. "Alas, how terrible is wisdom, when it brings no profit to the man that's wise!" (Oedipus Rex) I hope to make my growth in wisdom overflow into all my faculties, abilities, and encounters with the world, so that it may bear lasting profit for me. Philosophy, for me, will (I hope) be something more than a mere academic specialization - it will certainly be that - but also and more importantly a whole way of life that encompasses everything in me that makes me human. Therefore, a journal of my progress in learning will necessarily also pertain to my progress in deeper personal experience.
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